- Symmetry
- Call-backs to another (older) era with suits and cars.
- Skylights in the building, always looking up to the sky, always moving forward (ambition).
- Very little variation in the people, buildings etc.
- Camera stays level with the characters, especially having Irene in the center of the shot.
- Vincent is filmed in the shade or off to one side.
- Jerome looks up the “helix” staircase.
- Crosscutting. Builds suspense.
- High angle shot on Jerome as he crawls up the stairs.
- Low angle shot on the car as it approaches the house.
- Close up on Jerome’s struggle.
- Showing Jerome’s legs in the shade dragging behind him, holding him back.
- The only green or foliage is under control, unable to grow past what is required.
- Telescope in the corner, yet more looking to the sky.
- The two Jeromes in one shot.
- The only time Irene does not look immaculate.
Raise your voice, open your mind, unlock your imagination